Durga wrote:
margo wrote:
Last night I finished Joseph Conrad's Heart of Darkness and found it to be excellent. It's one of those books that was difficult for me to pick up, but just as difficult to put down. I've never read any of Conrad's work before, and definitely want to read more.
Colonialism, unconscious racism, the Ivory Trade that decimated the Congo of Africa in the latter part of the 19th Century is the setting, a man's struggle against himself and the force of nature that was Africa. A well told tale, certainly worth reading. It isn't what I'd call a layered story by any means, but a fairly straightforward story that stays with the reader and seems to grow in stature as time goes by.
Definitely recommended.
I was wondering if You would agree with Chinua Achebe who said that "...Conrad had a problem with niggers. His inordinate love of that word itself should be of interest to psychoanalysts. Sometimes his fixation on blackness is equally interesting..." and stated that it should never be called "a great work of art". I disagree with Achebe and was surprised by all this... More on the subject You can find here:
wikipedia
Thanks for the link Durga, it looks interesting, I'll read it when I am a little more awake. it's 3 in the morning here.
As far as the use of the word 'nigger[s]', although it is totally unacceptable,
at the time he wrote, it was still part of the vernacular and casually used. Unfortunately it is still used in a derogatory way nowadays, although not by anyone that is the least civilized IMO.
It was not allowed in our family.
This is the only Conrad I have read, so I can't comment on his so called fascination with blackness in general, but at the time there were not that many black people in England, and Africa was a very new thing to Europeans, so really it would be a fascinating thing to see people that were so very different from ones self wouldn't it? Not necessarily in a mean way, but just plain interesting.
We have to look at it in the context of the time frame. It isn't really fair to apply modern attitudes on the past.